Yes.
Elvis Perkins, In Dearland. Thrilling.
The level sinks a little bit, obviously, but the drums in "Hours Last Stand", the double bass in "I heard your voice in Dresden", the Hammond organ and the chains in "I'll be arriving", the trumpets in "Chains, Chains, Chains", quiet, melancholic (moving us to miss the Beirut's Gulak Orkestar, when Beirut had a reason to be, before the Frenchy decline), or livelier in "Doomsday", and the classicist and utterly sad orchestration in "How's forever been, baby" show the way that so many would like to follow.
No comments:
Post a Comment